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喬治·莫蘭迪畫作中的物件始終是焦點——那些他在波隆那標記過的桌面上，歷經四十年創作生涯反覆排列與重組的花瓶、錫罐與瓶子。2015年春天，喬爾·邁耶羅維茨走進位於Via Fondazza 36號的那間工作室，為每一件物品拍攝：單獨拿取、置於莫蘭迪本人標記過的檯面上、在同樣的光線下。這本擴充與修訂版在2016年原版的基礎上新增超過130張照片，並收錄阿曼達·倫肖的全新文章與更新後的參考書目。對於任何曾仔細端詳靜物畫、思索畫家究竟看見了什麼的人來說，這是一本不可或缺的著作。
喬治·莫蘭迪，1890–1964，波隆那。四十年靜物畫——同樣的器皿，無盡地重新排列——使他成為二十世紀最受研究的畫家之一。喬爾·邁耶羅維茨，1938年生於紐約，是「新彩色攝影」的奠基人物之一。
I've stared at Morandi reproductions for years without ever seeing the vases themselves, so the Meyerowitz plates of the actual tins and bottles on that marked tabletop in Bologna were a genuine revelation. The archive is thorough enough that you can track how the same few objects got rearranged acr
The Meyerowitz photos of Morandi's actual studio objects finally connect the paintings to the dusty tins and bottles themselves. Seeing the marked tabletop in Bologna shot up close made me flip back through the plates twice.
I've stared at Morandi's vases for years without knowing how he actually grouped them, and this archive shows the arrangements in sequence. Seeing the same tin and bottle reshuffled across four decades on that marked tabletop changed how I look at the paintings.
