Category: 桌上型電腦
在年月框架中捕捉的混沌能量爆發。畫家林將實用日曆轉化為充滿活力的藝術宣言——將字體設計視為原始表達，而非單純資訊。
每個月份自成一個數字宇宙，以刻意隨性的方式排列。麥克筆的筆觸展現了藝術家的手——即興、自信、充滿創作張力。
這是為那些理解即使最實用的物品也應具備視覺智慧的人們打造的機能藝術。每日與藝術感性相遇。
印刷於常用於藝術保存的輕量潤白紙上。
林青奈在東京創作，以受到現代主義與民間傳統影響的無意識即興方式進行創作。她豐富的作品涵蓋展覽、書籍與繪畫——始終以生動、基本的形式以及直覺性的線條與構圖為特色。
屬於我們的日式極簡系列。
Every month feels like a tiny gallery opening on my desk—the typography is so raw and expressive that I actually look forward to flipping the page, even on busy Mondays. The grid still keeps my appointments legible, which is a nice balance against all that chaotic energy.
The typography on each month hits different—some pages feel like a shout, others a whisper. It’s the first calendar I’ve owned that I actually look forward to flipping, and the grid still keeps my appointments readable underneath all that raw expression.
I was a bit worried the chaotic art would make it hard to read dates, but each month actually stays surprisingly functional. The raw typography makes my desk feel like a tiny gallery, and I catch myself staring at it more than I check my phone.
